How to write a letter to an art gallery

Utilize Local Resources A great place to find open calls for artist submissions is through your municipal arts council, like the Toronto Art Council opportunities pagefor example, if you happen to be located in Toronto.

Hopefully you have a clear and purposeful agenda because if you don't, they'll have no idea how to respond other than hit "Delete. You can monetize your website so you can sell prints directly, building your brand in the art community and making a little cash on the side.

how to submit work to art galleries

So, now you know a little bit about the different types of galleries. Suddenly grammatical errors, unnatural tone, or poor sentence order are apparent. A condition of representation with these galleries can be that you contribute part of the costs of running the galleries, or part of your time can be spent working for the gallery itself.

Print out an invitation with a photo of your work on it and mail it to the right people. To begin with, research this person's or gallery's or publication's or institution's or organization's background information in advance.

Do I use interesting materials or techniques? You know the worst thing about inadequate or incomplete artist emails?

artist letters to galleries

Where you live, including city, state, province, country, etc. You can move from general to particular and first describe the impression that you received from all the works in general.

Letter of intent for art exhibit

Then there's the core content of a typical hopeless email, usually consisting of one or two declarative sentences or phrases like "See my art" or "My art for sale" and maybe several images sometimes many more or maybe a link to a website, social media page, image page or video. The sheer quantity of these random indiscriminate emails is astounding. Instead of explaining with academic language, find a way to simply lead the viewer into the work. Do yourself a favor and consider this early on. Got teaching skills? Focus on finding a good fit for your existing work. Draw a conclusion: whether the organizers succeeded in translating the declared idea, and whether the average visitor could catch and feel it. It can greatly dictate how people view your work, whether you like it or not. So, points to recap on: Be super-polite. They show that the artist is too lazy to take the time, or is not really committed to their art, or is too busy with other things to find out who they're emailing and why.
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A Sample Intro Letter to a Gallery Director